Sullivan Audition Judges
are distinguished artists
and professionals, including,
among many others:
- Susanne Mentzer
- Charles MacKay
- Anthony Fogg
- Christine Brewer
- Craig Rutenberg
- Richard Gaddes
- John Moriarty
- George Shirley
- Evans Mirageas
- Bruce Donnell
How to Apply
The Foundation seeks exceptionally talented young singers who are still taking early steps, but in the judgment of the screening panel show promise for significant careers.
2016 SULLIVAN FOUNDATION AUDITIONS will be held in New York City on Sunday and Monday, November 13 & 14. Several winners will receive SULLIVAN AWARDS of at least $10,000, which may be used for any career-related expenses. Winners then receive additional ROLE PREPARATION GRANTS for the next five years, to support musical, dramatic, vocal and language preparation for engagements for new roles, or for existing roles in new languages.
- Applicants must have completed their academic training.
- They should have sung at least one engagement with a known opera company, orchestra, or other organization using full orchestral accompaniment.
- They must submit a copy of a contract or letter of intent for an upcoming professional engagement with full orchestra (not a cover) after the auditions.
- Singers coming to the end of full-year Young Artist Programs may be chosen to audition for Sullivan awards; if they are winners, their eligibility for Role Preparation Grants can be deferred until they have graduated from those programs.
Applications must be received by midnight (PST) on September 18, 2016 and must include the following:
- A one-page chronological resume (additional pages will be discarded)
- A photo
- A copy of a contract or letter of intent for an upcoming engagement with full orchestra to be performed after November 13, 2016 which will be the basis for the first Role Preparation Grant. We cannot accept cover contracts.
- A letter of endorsement, which will be kept confidential, written specifically in regard to this Sullivan application by a music professional (not a current or former teacher, coach or management) who is well acquainted with the singer’s qualifications and - ideally - has engaged him or her as a performer.